Tag Archives: Exhibition

Collected Works, Collected Family, Collected Friends

Room opening 1Some of my lovely tolerant friends and family have asked that I include some photos of the BIG EVENT on this blog so I shall!  Bear with us those who may not be so interested!  It felt like a landmark night for me and was so enriched by the physical presence of some very special people who covered vast distances and the messages of love (including a magnificent bunch of flowers!) from other special people who could not physically be there!

Cathy, Darren, Ian and the rest of the gang at the Broken Hill Regional Art Gallery (BHRAG) are magnificent people for many reasons.  They did a fabulous job and tookW,C and Susan's flowers as much care with presenting the exhibition as I would.  And then they added experience and knowledge.  It’s a bit like when you take your kids to school and just hope that the people there can love them and see the magic in them in spite of all their little faults.  You hope that they will know what to do to help bring out the best in them. Cathy, Darren and Ian did that with my stuff!

PlinthObviously they could have felt very overwhelmed with all those bosoms.  Shadows created by the bountifully endowed did create challenges with label placement.  The variety of colours, varying bust shapes and idiosyncratic hanging methods, meant that the laser precision levelling was time consuming.  Pragmatism meant we did used covered plinths for some more fragile or removable pieces and a strong desire by all of us to highlight the importance of my relationship with the Samunnat ladies guided placement of some pieces.  There were just so many flipping labels to place and spell check’s reaction to Nepali nearly sent Cathy spare!  So to you guys, a huge thank you for doing such a wonderful job. As always. The Art Gallery holds a special place in the hearts of locals and is very much a part of the community.  I felt incredibly lucky to be able to have an exhibition there.

Seeing the pieces up in the room on Monday was great. Seeing that room filled by so many people was overwhelming.  People wereMal address reading those carefully placed labels, talking with friends about pieces, laughing appropriately and….even spending!  I had quite possibly the world’s best opening speaker deliver his speech and am so grateful to him.  For everything.  Not just the speech.

The NSW Parliament Aboriginal Art Prize  was opened by Eddie Harris, a local Barkandji artist, from a talented artistic  family, who is one of the  finalists.  As well as Looking at 52sharing of himself, Eddie did everyone the great favour of introducing us to his amazing niece Chiara who, at the age of only 8 (I think) sang beautifully and spoke with such poise, dignity and assurance that many, myself included, were tearing up!

A few people have asked whether there is a sense of emptiness or a let down having finished this.  It’s funny because in a way there is more a sense that it is all part of the bigger process.  Tory Hughes and I have our Deep Play retreat at Lake Mungo in just a few weeks (Spaces available. We’d love to see you there!)  The Samunnat work continues unabated and I head back to Nepal in just over 6 weeks (and didn’t I get a shock calculating that since I was going to type just over 8 weeks!) Over the next few weeks we have many visitors coming out to say hi and see the show and I suspect I won’t really have time for a sense of emptiness. It feels like a landmark but one that is part of a rich journey, not my last shot at something!

So…thanks for your patience. Next post will be about my Travel Challenge piece and thank you to Erin for getting me started on a surprisingly addictive broken glass collecting habit!

Dancing around Deadlines

Gosh I love Art Propelled.  Robyn Gordon’s blog is unfailingly inspiring and thought provoking.  I don’t subscribe (mainly as I haven’t Apron and coloursworked out how!) but I have her in my favourites bar and visit regularly.  Today, with two weeks left before Installation Day*, I am feeling a bit vulnerable and exposed.  The comparing critic voices are upping their inner chatter and I am wondering if I have been a bit silly to take this on. Robyn quoted Chogyam Trungpa in a post called Your Own Way of Looking at Things and it really resonated for me:

In order to accomplish an experience, you have to have a chance to dance with it. You have to have a chance to play, to explore. Then each style of exploration that takes place is a different manifestation, we could say. Nevertheless, it is all part of one big game.

I  haven’t been making things easy for myself.  After returning from Nepal, I decided that I would only include polymer necklaces (not those made with beads I had purchased) inBlock the Year of Necklaces installation; and that I would separate necklaces that were a collaboration with Samunnat and display them in their own area.  This meant making several necklaces to replace those that were culled (along with those polymer ones that were made during the Year challenge but not deemed art!   By the way, for some interesting thoughts on art necklaces and examples of her own beautiful work see Erin Prais-Hintz’ blog here.  Erin creates wonderful, almost narrative necklaces, often inspired by themes, or literature, and encourages others to as well. Two of her necklaces are featured in a new book Showcase Art Necklaces which sounds tempting…

Table blogI didn’t want to fall into the trap of making a necklace for the exhibition!  Usually, the creations I like best come from play and exploration, from dancing with ideas, from following through the I wonders and I didn’t want deadlines (read Indigo Kate’s gorgeous quoted deadline quote here) to send me scurrying back into a mindset I work hard to avoid.  I wanted to yield to the I wonders.  The I wonder what would happen if I did this, or pulled that, or scrunched up this.  I wonder how doing this makes a piece work; how will it sit if I do that?  Alice Stroppel is a master at the I wonders. For inspiration read her I wonder if I can combine brass buttons, rubber cord and polymer to make something interesting post and her I wonder if I can makeFloor blog something bigger and more complicated than I usually do post (Titles mine!)

I wanted to use a silk apron (called a pangden) I got in Tsarang in Upper Mustang as a source of inspiration. As soon as I saw it, I knew I wanted to incorporate the fabulously coloured stripes and the technique of lining up the three panels of  fabric in different directions.  I wondered if I could do that in a piece of jewellery.  And again I am not making things easy for myself…16 different colour,s would you believe, and NOT a straightforward repetition, my wordy me no!  Here are photos of the first stages of the I wonders.  More to come!  Still, I’m having fun wondering and hearing that deadline swooshing up!

*Installation Day for my exhibition of Collected Works.  They used my Mutwintji Necklace in the publicity on the website!